Oh FOX, you're so FOXY!

Geez. I can't remember the last time someone asked me if I watch FOX. I mean, sure, there are quite a few good things to come out of the FOX/Newscorp Network, like Kelly Clarkson, but on a serious note, what is this world coming to?
Newscorp, the mastermind company that owns everything FOX and FOX-named, founded and ran (as Chairman and CEO) by Rupert Murdock, claims many things about their broadcast network. Their main slogan for their News Channel, "Fair and Balanced", is just a crock of junk propaganda used to lure in viewers who think they are actually getting the right information, all the information, and watching good TV.

It's fair and balanced to say, FOX Network is just so Foxy!

To use a fair and balanced example of how FOX uses its super-fantastic editing skills, I will show you two clips of Lady Gaga's performance on "American Idol", of her smash hit "Alejandro".

This is the version of the performance we got to see on "LIVE" TV. It wasn't live, it was prerecorded. When I watched the show, because Im a little monster die-hard huge fan of Lady Gaga, I was already questioning what just happened. The chorus in her song, "Don't call my name, don't call my name, Alejandro. I'm not your babe, I'm not your babe, Fernando. Don't wanna kiss, don't wanna touch, just smoke my cigarette and hush. Don't call my name, Don't call my name, Roberto..." (Alejandro, lyrics by Lady Gaga), didnt seem to fall into place at around 3:15 into the clip. While I'm singing along at home to her dance routine and chorus, I slipped up on the lyrics that I thought I had mastered after playing her album "The Fame Monster" nonstop for the past few months. Then it happened again shortly after that part of the song!! I couldn't figure it out, and was getting a bit confused.

Since I DVR'd the show, I rewound the clip to see if maybe I was just blanking out and hallucinating the scene, but nope, there it was again. Out of my confusion, I immediately jump on my computer and went straight to Twitter (twitter.com) to find out if I was alone in my world. I do not have a twitter account, but I do frequent Lady Gaga's twitter page to see what she's up to, and sure enough, she posted something which quickly fired me into an uproar:

" http://bit.ly/apyBrH FOX POORLY + AMATEURLY edited+cut my performance/musical arrangement on idol. Watch real version. http://bit.ly/apyBrH 11:36 AM May 6th via OpenBeak

http://bit.ly/apyBrH here's my full american idol performance ALEJANDRO. Fox chopped up my performance in 4 places. Real version on itunes. " (twitter.com/ladygaga)

I was livid! I knew something was fishy about the broadcast performance on "American Idol", but I couldn't believe there was more to the story than just a horrible editing job. When I clicked the link she posted to check out the REAL performance, I noticed that you can actually SEE the dance routine! It was the first time in "American Idol" history that there was an all-male dance group dancing together. Like, together together! They dip each other, spin each other, rub each other, etc...in a very tasteful manner. Lady Gaga is a professional and she knows her boundaries for how and what she can do, especially on a "family" show. In the FOX edit, you see many close up shots of her and her upperbody. You get a little less than 2 minutes of the actual performance that FOX pre-recorded. You don't get the magnitude of dance moves, shake and shimmy, and over all Gaganess of the performance. I'll give it to you, though, because it's sheer genius:



The fact that it was edited so much was because of the backlash FOX would face if the homosexual dance content was shown on air. Do we even know if the men in the background were gay? No. Do we even know if they have gay sex together? No. Does it LOOK like they are gays and going to have gay sex with each other? Heck no! They were performing art, dance, and did it in a very tasteful manner! FOX responded to the left by saying they had to cut down the performance to less than 5 minutes due to time constraints, but never mentioned anything about the fact that they took the male dancers out of focus during their couple's routine.

Focusing on another show FOX airs, "Glee", Im just gonna take a jump into something that also shows how homosexuals are depicted. We all know the stereotype that homosexuals don't have a strong relationship with their same-sex parent, which causes them to become gay. Case in point, we have Kurt Hummel, the token gay guy on the show. Throughout the series, for those who have yet to see it, he is the flamboyant and extremely effeminate boy who wears bright colors, fantasizes about the lead male character (who is straight, but that doesn't stop the gay guy from crushing on him), has a high pitched voice, has a thin body, uninterested in sports, and has an image of being weak. This is his character, this is a stereotypical gay guy in high school. Is this really what they're like?

I like to tell myself that I transcend boundaries and stereotypes for my cultural identity. I'm a strong-willed male who is very opinionated and aggressive in behavior. I wear dark colors, or rather not so pastelly, bulky, strong, and deep voiced. That's not me on the TV screen, and that certainly wasn't me in high school. Where are the real gays?! Are they too busy hiding in fear because of their lackluster relationships with their same-sex parent? To make my point, I would like to show an additional two clips of Kurt on "Glee". The first one is the typical Kurt, what he always looks like and how he sings. The second, is his response to his father shunning him to hang out and be a father-figure for said male lead, who is without a father. Kurt goes from flamboyant tinkerbell to roughneck, macho, John Mellencamp singing, wanna-be heterosexual wearing a trucker hat and bubble jacket vest who is in need of his father.





It just sends a message to the LGBTQ youth communities that, while it's okay to be gay, you have to play this particular role. Roles tell us a lot about our culture, and when you have a media conglomerate as large as FOX setting roles, stereotypes, and making it seem like the same-sex parent myth is true, future generations start to believe those messages.

Editing music acts and changing the way a character is portrayed to fit what media big wigs want? I fail to see how that is fair and balanced. I know, that slogan is for the news channel, but I really don't want to get started there.

I could go on and on, but I think these two very solid pieces of evidence are a good start for you readers out there to begin your very own research and develop a sense of what's right and what's wrong in the media.



All clips are courtesy of Youtube.com and are searchable.

It's Gay Week!!

So this week in class, we are focusing on LGBT in the Media on how Hollywood (or lack thereof) has depicted it.

Boy...do I have several topics to narrow my weekly post down from.

Stay tuned...

=)

Murderball: Disabled MEN

(Image courtesy: Paramount Pictures)

This week in IDS 101, we screened the film, Murderball. This is the tremendously inspiring story of quadriplegic men who, through their strife, band together and form a Wheelchair Rugby team. They train together, play together, and compete globally in the World Wheelchair Rugby Championship as well as the Summer Paralympic Games. The story of these players is very inspiring, as they take what they have, and live to achieve great things. It is also the story of men, being men, in a much different capacity.

We were asked to examine and critique the masculinity involved in the film and consider the intersection of gender and disability. I found it very interesting to see one of the main characters in the film, Mark Zupan, as this tattooed dude with a goatee and incredible body build saying, "hit me, and I'll hit you back". It was a glimpse at the tough, masculine shield and armor he wears in his life. He makes more comments throughout the film, such as "you have to gain respect, I'm not going to give it to you", which continue to show the edgy person he is. Two of his friends are also interviewed who claim that he was "an asshole before and after the accident," and that to blame the accident on his assholeness was, "an oxymoron". Zupan has a very competitive personality, being involved on the Championship team and the Paralympic team, and always seen scoring goal after goal. We also have a glimpse of the more caring side, which is rarely a side we see, when the story of his accident are displayed on screen.

His high school buddy, Chris Igoe, who felt deep regret and responsibility for the accident, failed to attend their 10 year reunion because of the feelings he would have seeing Zupan in a wheelchair. One of their other friends tells Zupan she heard from Igoe the previous week via 3am drunken phone call. She said she was worried about him, but knew he would be okay knowing that Zupan was alive. Two other friends described them as being just enough to understand each other, one keeping their emotions in while the other understood with a simple nod. In homo-social environments, this display of manly emotions is an extreme of masculinity; not showing or talking about emotions. When the team leaves for Athens for the Paralympic games, Zupan invites Igoe out to Greece to see them, and Igoe happily obliges. This is a masculine display of affection, which is sweet, to say the least.

It is apparently that masculinity does not change when a person's life is dramatically altered. In fact, it is clear that it can also greatly magnify the machismo. Joe Soares is another of the main characters in the film. He is also a quadriplegic who's bought with polio at a young age put him in a wheel chair. He is considered one of the top rated wheel chair sportsmen of all time, having competed in numerous championships on both National and International circuits. The first (or second) time we see Joe, he is on a court, ignoring a female coach from another team and mumbling "F&$# You, Bitch". This is a sign of future things to come from this man. He is a highly competitive, driven man who is not allowed to coach the USA rugby team, and joins the Canadian team to extract revenge. In the film, he is hell-bent on winning. He has a room in his house, displaying all of his trophies and championships as a shrine to himself. Very self-absorbed by his ego, Soares works tirelessly to discipline his team and get them to beat team USA.

Soares has a son, who is not interested in sports, but is incredibly smart and talented in other areas. During a homo-social event (Superbowl party/BBQ), Soares talks about how he wants his son to play sports and be involved in sports competition. He wants him to be macho and tough, and uses his own brand of "tough love", which he learned from his Police Officer father. It's touching to see this and hear these words on film because it almost seems to be a completely different culture. In the end, however, after Team Canada beat USA in Athens, Soares came home to watch his son play in a Strings Band performance, hugging his son and telling him he was so proud of him. Yet, another tender display of sweetness that men seldom show.

The USA team is also shown in the film playing poker, talking about athletic chicks, boobs, drinking beer, smoking cigars, and talking about sex. Sex is an interesting point made in the film, as the men talk about how they "work the chicks", for a good 20 minutes as they talk about how they became quadriplegics and if "it" still works. I think that because this film is based on men, it was necessary to put some focus on sex because they are men. Call me crazy, but whenever men are the focus of a film, it almost always seems that women will be seen as sexual things to them no matter the circumstances. And, of course, there is a film which a doctor presents a newly rehabbed quadriplegic patient with that focuses on "sexual rehab". It teaches them new ways to do "it". If the film focused on quadriplegic women, would if have any emphasis on how they have sex? Probably not, it might just send the message that women would have to get along without sex. Interesting, but not something to overlook.

All in all, it was a great film to watch for some inspiration and to make you realize that you may be missing somethings, you may be incapable of doing things "like everyone else", but you should never give up anything just because you have to change how you do it. Or "it".

=)

Quotes courtesy: "Murderball"

Sick? Too bad!!!

Health Care. It's been on the minds of most Americans this past year, and for others, many years. This has been one of the most Topsy-turvy roller coaster policies in American History, to date. America's health care industry is economically 1/5th of the country's Gross Domestic Product, and it is because of this, the opposition to free health care pit themselves against those many who cannot afford health care. This "luxury", as it's seemingly being treated, should be a fundamental right to all Americans. Are we not the country that sits on top of the world and looks down on everyone else? Ok, so that may be taking it a bit too far, but when you think about the sheer wealth our country owns (not you and I, the other 10%), a martian would think that the Americans are well taken care of. In the year 2010, 233 years into the life of the United States of America, an approximate 47 million people do not have health insurance. If 47 million people were to develop cancer or have coronary heart disease, we would have roughly less as many people living in America.

It's a bold statement to make, but unfortunately, there is much truth in the statement. Regardless of what side of the isle you stand on, one cannot brush over the facts of how unhealthy America is today. One of the top reasons why people do not have health insurance, is not because they simply don't want it, but the cost of coverage is just too steep for many people. According to a study conducted by Kaiser Family Foundation and the Health Research & Educational Trust (http://www.usatoday.com/money/industries/health/2009-09-15-insurance-costs_N.htm), the average cost of health insurance for a family is $13,375 annually. If you divide that by month, you get about $1115, which is as much, if not more, than a mortgage payment. When you have to balance costs and your family's budget and spending, you are already looking at $2230 on just housing and health care, IF you can find such an affordable home. Take into consideration the costs of utilities in, for example, Washington State. I pay, for a family of 2, $300 for electricity, sewage, gas, water, and phones. Then, we have auto insurance: $250. A large number of middle-class American's also have a car payment; $250. Then food! Currently, an average family might spend around $400 a month on food alone. If you add up these monthly costs, and these are just rough estimates, you are looking at a monthly expenditure of $3430. Annually, that's $41160. If you take out the cost of health care, it drops down to $27785. This number, is much more easier to reach with a household of 1 income. This number is still pretty high for a large portion of the population, which would make sense for those families to not have health insurance.

Now, I by no means think they are being negligent in not paying for health insurance, as we're all guilty at one point in our lives of sacrificing some bill or another to pinch some pennies. The point that I'm making is, health care costs have increased by 48% since 2000 (Kaiser Family Foundation; Health Research & Educational Trust), which either puts families out on the streets, bankrupt, or simply, without coverage.

In the Michael Moore documentary film, SiCKo, we get a very impressive point of view on America's health care system. Moore starts off his film by interviewing a number of families who have been affected by the rising health care costs and how for-profit Health Maintenance Organizations deny benefits and increase costs. He uncovers through personal statements and letters from some of the major HMOs rejecting payment for medical treatment to patients, rejecting coverage to those with pre-existing conditions, and statement increases families have had to suffer with in having health care coverage.


(Photo Courtesy Canadianflag.com)

He then makes some strong comparisons to foreign countries that have a different systems with almost no cost to its citizens. My partner, NJ, is a Canadian citizen. He has one annual payment that he has to make in order to keep his health insurance: $180. This is the only payment he has ever had to make in his entire life for medical care. Two years ago, he had to have a small growth removed from the backside of his neck (don't ask). In the States, even with my medical coverage I was receiving from the company I worked for (it's a big one, with one of the highest rated benefits package in the state), we would have had a medical bill exceeding $12,500. He made an appointment in Vancouver, BC for the same surgery. Our total cost: $60...on GAS to travel up to Vancouver! The amazing Canada Health Act ensured that the burden of cost would not be placed on its citizen. WOW!!

One of the countries Moore gives us a look into is France. I became extremely jealous of the French after watching this film, and even looked at relocating to France. It is there, where health care is free. Prescription drugs are free. Education is free. Nannies are free. Day care is free. EVERYTHING A FAMILY NEEDS IS FREE!!! This is a country that knows caring for a family should never be a burden and its government is more than willing to encourage and participate in this beautiful thing called family building. This is important, as parents have more opportunity to teach values and ethics to their children so they have an equal chance at a happy life. This is something any country would envy, but if you as a hard right American, he'll call it "Socialism".


(Courtesy: The Columbus Dispatch)

In American, "we don't give handouts", according to some extremist conservatives who have fought tooth and nail only to lose the battle over health care reform. We also have the highest mortality rate. And the highest obesity numbers amongst children. And the largest wage and wealth gaps between the extremely poor and the extremely rich. But, we're not a Socialist country because Nazi Germany was a Socialist country too, right? I mean, really, they were National Socialists. Really. This is important.

National Socialists is the English translation for the Nazi Party. What they actually practiced was "Fascism". There are some VERY DIFFERENT political and economic beliefs between the two, but I'm just saying.

47 Million Americans do not have health care coverage. This is due in large to employer-sponsored cut backs (they can't afford it), and simply because health care in America is just too expensive for most families. The rich, upper-class, and middle-upper class wouldn't have much difficulty affording coverage, but why can't America help its "other" citizens have this basic and necessary right? Maybe, one day, we too can be like France. Or Canada. Or Britain. Hell, even like Cuba.

Racism and the American Prison System...in media!

(Photo Courtesy of www.policemag.com)

I was watching one of my favorite shows, Police Women of Maricopa County, and they had a special episode following the jobs of their female Detention Officers in their jail houses. In this show, there was an issue going on within the inmate community between the hispanic and black races. Apparently, there were written by-laws within each group that all the inmates have to follow in order to have the protection of their own race. If you are white, you were called a "Wood", and hand written papers were passed off to you as you walked in the General Population Pod. Some of these rules included things from what time you need to work out, when to wash your hands, and which TV to go watch during recreation time. If you are hispanic, you were not allowed to bunk with black inmates because of this secret race war that was going on. If you were black and a hispanic was assigned to bunk with you, you would be considered a "Wood" if you didn't break a rule (which added jail time to your sentence) in order to be switched to a different cell. These types of rules between the races, self-segregation, is an extreme form of active racism. Not only are the races governing themselves within the jailhouse, but they are forcing their own members to commit crimes to get their way. That's like, using the system against itself.

It's a hard issue to investigate, as Officers are pitted against inmates to try and get as much information as they can. This proves to be near impossible as all the inmate featured in the episode refuse to cooperate with the Officers and even risk their own freedom to deny knowledge or participation in gang actions. Eventually, as with all groups, there is always that person who's will isn't as strong as the others, and cracks under pressure. However, and at least in this episode, that was not the case.

A Mexican male was housed with an African American male and, acting as a group, broke the toilet in their cell so that the Detention Officers had to remove them and rehouse them in different cells. To test the theory that there was a secret race war, Officer Molina, an Italian female, moved them both into cells that had members of the opposite race. Reluctantly, the African American inmate walked into the cell, showing through body language that he was visibly upset about housing with a "paisa". However, the Mexican male refused to enter the cell with another African American inmate, saying "I can't go in that cell, Molina." As refusing to house is against the statutes of the County Jail, the inmate was detained in the disciplinary level for questioning and 30 days of solitary confinement. During the interview, he said "I can't house with no black", and that was the most revealing information he would offer up to the Officers.

The other inmate that was moved got into a fight with his new cellmate, proving Officer Molina's theory, so he was sent to solitary and then was also placed in the disciplinary level.

Gang wars are a major issue in the American Prison system. This is apparent in Hollywood cinema through a large number of the movies where Prison life is the focus. To give an example, I will also take a look at Blood In, Blood Out: Bound By Honor. This movie starts in 1972 in East Los Angeles. If follows the lives of cousins Miklo, Cruz, and Paco, who all start out at the same place and neighborhood, and then follow 3 very different paths. The movie, in my honest opinion, is the Mexican version of Boyz N The Hood. It follows very distinct stereotypes which plague the Mexican American community and places then in very hostile environments.


(Photo Courtesy of Hollywood Pictures)

Miklo is a mixed race, light skinned teen who runs away to live with his mother after getting into a fight with his father. The mother, as typical in Chicano culture, is seen throughout the movie wearing pretty dresses, make up, and jewelry and seems very submissive in her demeanor. In this case, she says she is relying on her ex's check to survive, making it appear that she cannot support herself.

Paco is the typical "tough guy", cholo type who is hard nosed and self-loathing. He is "el gallo negro" or the black rooster in his boxing world, and is the half-brother of Miklo. He calls Miklo names such as "milk-weed" "white boy" "guero" and "milk chocolate". He is as tough as nails and as sharp as one too. He also shows little respect for his parents and only acknowledges them once they snap at him to get his attention.

Cruz is an artist, who has a love for cars. His passion is to paint, and he is very good at it. He loves his car, typical in Chicano culture, and spends a lot of time cleaning it. He is so talented, he wins a scholarship in high school for his art work. It is interesting to note that a White, blond male presents him his award and scholarship, though is probably of little meaning. During his celebration, you see the cholos smoking weed, drinking tequila, wearing bandannas, and the girls full of make up. During a would-be love scene, Cruz is beat, given a broken back, and stabbed by a rival gang, but saved from death by a resident of the barrio. He later returns to painting and then has a showing to sell his artwork. His white business manager bars his "carnals" from going into the party because "we don't want to lose sales because of 'those' people".


(Photo Courtesy of Hollywood Pictures)

Miklo, being light-skinned, is out to prove himself to the other "Vato Locos" in his barrio. He is always teased and taunted for being light-skinned, so it's no surprise that he will go lengths to get acknowledged. He goes as far as to commit murder with his homies in revenge for the attack on Cruz. He is the only one caught and is shipped off to Prison. While in Prison, he joins the Mexican gang "La Onda", which means "The People". Gang politics inside the pen erupts, as race is pitted against race in the ensuing race wars. There are many murders and heinous acts committed by and against "The Aryan Vanguard" and the "Black Gorilla Army", with Miklo becoming one of La Onda's leaders. Homosexuality is seen throughout the Prison period, as men using sex to gain power and authority over the weaker inmates. Miklo, being an attractive, light-skinned Mexican boy with blue eyes, uses his sexuality to lure in one of the Aryan Brothers in an assassination move. This move was required of him to join "La Onda", as their moniker is blood in, blood out. I think it's played out as being very homoerotic for such a masculine film, but keeps some truth to the situation and issue of the Prison system. It also depicts many of the cross-dressing men that are in the Prison system, showing that a) they do exist and b) they are just as powerful as the other race gangs.


(Photo Courtesy of Hollywood Pictures)

Once out on parole, Miklo continues the criminal activity, and during an Armored Truck robbery, he faced with a member of his family. Paco, during all the years, joined the Marine Corps and became a Police Officer with the LAPD. He faced off with Miklo when his unit foiled the robbery plan, and shoots Miklo's leg off. It's an emotional moment for the characters and the viewers and you see brother versus brother, decision versus decision, in which the law wins. Miklo goes back to jail, secretly assassinates La Onda's leader, and becomes the new "Jefe".

Cruz becomes addicted to heroin and, due to his addition, foolishly leaves out his drugs where his younger brother dies from an accidental overdose. Cruzito blames himself for the death of his hermanito for the rest of his days, never making it out of the barrio.

In the end scene, Cruz and Paco remember the old days and where they have gone in life, both taking blame for the life Miklo ended up living, but happy they are still alive.

Since I dont tweet...

Today, I wanted to 'blah' about something factual. It does not exactly pertain to IDS 101, though that post is just below, I did want to take a moment to post my current Facebook note, as this message can also reach others in cyberspace and perhaps spread awareness where other sites cannot. I apologize if my view of equality is offensive:

During the last year, FY2009, 443 servicemembers were fired and their careers were stripped from them for one reason: The government does not support gays in the military. Not only is this going to happen again this year, but what about in non- military jobs? How many people get fired everyday? Call your Congressmen, tell them to support ENDA (Employment Non-Discrimination Act) and repeal DADT!

This is a very important topic for me, and thousands of others who are affected by the policy 'Don't Ask, Don't Tell' and are not protected by federal law from being fired just on the basis of sexual orientation. While we hear promises of repeal, they are just words spoken from behind a podium. We will never truly be a democracy if all people do not use their voice and share their concerns with the people we put into power. They work for us, let's do our part in supervising the end product!

Ok, no more politics! Thanks for reading.

For you, Rachel and Ruth! (Class post)

In today's blog, I'm going to recap and draw in some interesting concepts I took from the movie, Boyz N The Hood. First, it was a great movie, a real depiction of what life in 1984's South Central LA was like for a group of under-privilege African Americans. It takes the social issues of under-class, poorly educated, driven to violence, and, as hard as it is to say, fatherless children and how they view life on the street and the life they live as teenagers. The main characters follow a few different paths, two of which who are seen as the protagonists, had more positive paths than the others.

This film was easy to watch as a kid, lacking certain critical thinking skills I would later develop in high school and throughout my life as an adult, but I found it much more difficult to swallow this week.

At the beginning of the film, the statistic, "One out of every 21 black males will be murdered before he is 25 -- most will die at the hands of other black men" reveals what you are about to watch as an "as honest" story and really draws out a dark picture for the viewers. Many of the critics of this film, as cited in America on Film (p. 94) view this film, and others like it, as "Neo-blaxploitation" for the 1990's. Blaxploitation is defined in cinema as an exploit of the urban and black communities, originating as early as the 1970's, and often with soul and funk music soundtracks which were appealing to the audience the films were made for. When I hear that definition, I remember the clothing brand, FUBU, which brought some attention on from media and other critics of Urban culture as standing for, "For Us, By Us". While I'm not sure if that was specifically what the acronym meant, I didn't wear the brand because I didn't fit the attitude, or however the media put it at the time. Anyways, my point is that to me, FUBU is a type of blaxploitation non-media, because it was designed for a culture and was given that same attention. What "NEO" means, is new, so the neo-blaxploitation in that statement is basically true. The music, as well, is in large majority Gangster Rap. Ice Cube made a sizable profit from his album, the soundtrack, and possibly still does. The same genre title sticks to films like: American Me, Mi Familia, Blood In Blood Out, Menace II Society, and many others.



Boyz N The Hood also has a quick image of the "White Messiah" in the school teacher. Who better to teach these young, black kids about the world than a White Woman? During the scene where they are showing the children in class, they are studying the origins of Thanksgiving and the arrival of the Pilgrims. While I could go into great lengths of rhetoric about education and how one-sided it is, it shows that even in this film, the White Messiah has to be the one to teach these children, as it is she who is educated.

You also get a sense that products of bad parenting, namely the father of the child, can lead to violence, drugs, and crime. You see young Trey, who has a mother pushing for a Master's Degree, live with his father who is actually an anti-racist and gives a message about how white society has pinned the African American community into a corner filled with guns and liquor stores on every corner, and generally educated him in a very philosophical manner. Ricky, the young football champ and College-bound kid, is also the brother of Doughboy, however, they have different fathers. It becomes apparent that Ricky is the favored child, and possibly because of his father. Maybe one father was better than the other and that lead to the differential treatment in the two by the mother? One can only speculate, but it does play into the stereotype of fatherless children growing up to be the bad kids.



In nearly every scene with Doughboy, he is seen holding a 40 oz. Now, I get it, that's funny. The whole "pour one for my homies" is shown at the end when he dumps out the rest of his beverage onto the lawn in honor of his fallen brother (sorry for ruining the ending, if you haven't already seen the movie), and some viewers may see that as a form of respect. The fact that he does have a 40 in his hands tells a story of a man who likes to drink. He also carries a gun. Back to what Furious Styles said about how on every corner of their neighborhoods, stores that carry those items are the norm. Was this a way of the film writers proving their own point? Gentrification, when property is bought at low value buy wealthier people in order to raise income levels and rent prices to consequently evict low-income families (speculation, perhaps?), appears to be a problem in the film, though briefly addressed, which is also a common occurrence in today's neighborhoods. For those that live in Seattle, Tukwila/Renton is a prime example in which retail locations are built up, residential neighborhoods are purchased and turned into "Wal-Mart"s, and low-income families that used to live there are forced to move. Perhaps to Tacoma? Not being a Washington native, I hear that Tacoma is the new Renton. I'm going to assume the same happens as depicted, as I've never been to South Central LA, and was born in the year 1984.



Let's not forget the language used in this film! If you have a young child who is still developing a vocabulary and image of the world, this is not a movie you should allow them to watch! Women, often, are referred to as "bitches and hoes". Comedy, right? That's funny, right? Really? Call your mother that then, if it's so funny. I mean, how much more demeaning can you be? I understand, this is an honest portrayal of life in that time and in that place, but shouldn't these types of things be used as a learning opportunity? I blame education, oppression, and myself for not doing enough to get our world to that point where we should be. I really do!

Finally, and in closing, the protagonist, the good kid, well one of them, is gunned down while trying to run away from confrontation. The gay guys also die in the end in most Hollywood films. So, if you're a good kid in the ghetto, living a hard life and surrounded by violence and drugs and violence, these are the consequences? If you're gay in a movie, you're going to suffer as well? Movies about struggle need more happy endings, in general. The day I see a gay Disney Movie, I will have my own happily ever after.